New Fangled Opera was formed by a husband and wife team in September 2012. We are dedicated to performing and producing new works for opera as well as helping young artists bridge the gap between their education and their professional career. In 2013, we put out a call for scores to fill a summer festival of new opera works. We also extended a casting call for young artists who are interested in pursuing new music as much as we are.
New Fangled Opera is a labor of love. We are passionate about producing, performing, and realizing new music, especially opera. All donations that we receive go directly into our production costs, not into either of our pockets. Making a donation makes it possible for us to pay our directors, singers, and orchestra. You may make a donation by clicking here.
Chris D. Burton is a composer and conductor. He studied composition at Baylor University under Scott McAllister and at the Florida State University under Ladislav Kubik. Burton’s works have received performances on three continents and have received a number of awards including being a finalist in the ASCAP Morton Gould Young Composers Competition.
Burton’s love for opera began after meeting Shelley. His first opera, The Self-Portrait of Jonathan Jenkins, was left unfinished in 2010 and completed the summer of 2012 for its premiere at the New Orleans Fringe Festival in November. Under Burton’s baton, a cast of 12 put on the production with its full orchestration over 4 nights of performances. Since then, he has begun work on a number of short operatic works and has plan for another large-scale work in the near future.
Burton conducts for New Fangled Opera. He studied choral cunducting under Andre Thomas at FSU and has directed ensembles in church choirs since then. He loves to work with other musicians in collaborative projects and looks forward to helping new music come to life through New Fangled Opera.
Shelley Burton, a native of Plano, TX, holds a Master of Music from Loyola University New
Orleans and a Bachelor of Music from Baylor University. Shelley has a passion for new operatic works; she has sung in two world premieres: Virginia Snow in the Lionel Lackey’s “mini-opera” From Little to Less and most recently Alita Allegra in Chris Burton’s The Self Portrait of Jonathan Jenkins. She has appeared in productions of Les Pecheurs de perles, Un ballo in Maschera, and Carmina Burana with the New Orleans Opera Chorus, and as a soloist for the company’s popular casual concert series “Opera on Tap.” Recent roles include Ein Sklave in Strauss’s Salome, Wanda in Offenbach’s The Grand Duchess of Gerolstein, Venus in Offenbach’s Orphée aux enfers and Berginelle in Offenbach’s Le Perichole. She has been seen onstage as a soprano soloist in Mozart’s Requiem, Bach’s Cantata No. 51, Dubois’s The Seven Last Words of Christ, and Britten’s Ceremony of Carols and has performed opera and recitals in Germany, France, Texas, Kansas, and Louisiana.